Sunday, April 25, 2010

No Heave or Hanging Tongue

     What makes a modern dancer great?  In "Private Domain" (Knopf, 1987), the choreographer Paul Taylor tells us what he admired about Carolyn Adams, who was in his dance company for 17 years.

     When you're able to get dancers, even ones as fine as Carolyn, to do a third of what you see in your head, that's a very good average.  Whatever the role, her dancing was unmannered and wondrous.  To put it poetically, she was an elegant nectar laced with warm delicacy, easy and effortless.  To put it less poetically, she never heaved, let her tongue hand out, or even sweated.  Her neck was without noticeable tendons, as was the rest of her, and she was one of those dancers who jump from the small bones of the foot without any understandable preparation. ... Both on- and offstage she gave the impression of being about the size and weight of something you could lift with one finger and drop into an eggshell.  She was able to pack more steps into a second than most dancers could execute in a full minute, and she made this seem as if nothing much had happened.

[from a The New York Times clipping, undated, probably 1987]

The Touch, a poem by Anne Sexton

For months my hand had been sealed off
in a tin box.  Nothing was there but subway railings.
Perhaps it is bruised, I thought,
and that is why they have locked it up.
But when I looked in it lay there quietly.
You could tell time by this, I thought,
like a clock, by its five knuckles
and the thin underground veins.
It lay there like an unconscious woman
fed by tubes she know not of.

The hand had collapsed,
a small wood pigeon
that had gone into seclusion.
I turned it over and the palm was old,
its lines traced like fine needlepoint
and stitched up into the fingers.
It was fat and soft and blind in places.
Nothing but vulnerable.

And all this is metaphor.
An ordinary hand -- just lonely
for something to touch
that touches back.
The dog won't do it.
Her tail wags in the swamp for a frog.
I'm no better than a case of dog food.
She owns her own hunger.
My sisters won't do it.
They live in school except for buttons
and tears running down like lemonade.
My father won't do it.
He comes with the house and even at night
he lives in a machine made by my mother
and well oiled by his job, his job.

The trouble is
that I'd let my gestures freeze.
The trouble was not
in the kitchen or the tulips
but only in my head, my head.

Then all this became history.
Your hand found mine.
Life rushed to my fingers like a blood clot.
Oh, my carpenter,
the fingers are rebuilt.
They dance in yours.
They dance in the attic and in Vienna.
My hand is alive all over America.
Not even death will stop it,
death shedding her blood.
Nothing will stop it, for this is the kingdom
and the kingdom come.

Native American Proverb

Give thanks for unknown blessings already on their way.

Endings and Beginnings

We shall not cease from exploration and the end of all our exploring would be to arrive where we started and know the place for the first time ... What we call the beginning is often the end and to make an end is to make a beginning.  The end is where we start from.

- T.S. Eliot

*   *   *

Just when the caterpillar thought the world was over, it became a butterfly.

- Proverb

*   *   *

There will come a time when you believe everything is finished. That will be the beginning.
- found on an Avon calendar

Sunday, April 18, 2010

on the Beginnings of Microfinance

Below is the Introduction to the book, Banker to the Poor: Micro-Lending and the Battle Against World Poverty, in which its author, visionary educator and founder of Grameen Bank, Muhammad Yunus, tells the story of how he started micro-lending.  

In the year 1974 Bangladesh fell into the grip of famine.

The university where I taught and served as head of the Economics Department was located in the southeastern extremity of the country, and at first we did not pay much attention to the newspaper stories of death and starvation in the remote villages of the north.  But then skeleton-like people began showing up in the railway stations and bus stations of the capital, Dhaka.  Soon this trickle became a flood.  Hungry people were everywhere.  Often they sat so still that one could not be sure whether they were alive or dead.  They all looked alike: men, women, children.  Old people looked like children, and children looked like old people.

The government opened gruel kitchens.  But every new gruel kitchen ran out of rice.  newspaper reporters tried to warn the nation of the extent of the famine.  Research institutions collected statistics on the sources and causes of the sudden migration to the cities.  Religious organizations mobilized groups to pick up the dead bodies from the streets and bury them with the proper rites.  But soon the simple act of collecting the dead became a larger task than these groups were equipped to handle.

The starving people did not chant any slogans.  They did not demand anything from us well-fed city folk.  They simply lay down very quietly on our doorsteps and waited to die.

There are many ways for people to die, but somehow dying of starvation is the most unacceptable of all.  It happens in slow motion.  Second by second, the distance between life and death becomes smaller and smaller, until the two are in such close proximity that one can hardly tell the difference.  Like sleep, death by starvation happens so quietly, so inexorably, one does not even sense it happening.  And all for lack of a handful of rice at each meal.  In this world of plenty, a tiny baby, who does not yet understand the mystery of the world, is allowed to cry and cry and finally fall asleep without the milk she needs to survive.  The next day she may not have the strength to continue living.

I used to feel a thrill at teaching my studens the elegant economic theories that could supposedly cure societal problems of all types.  But in 1974, I started to dread my own lectures.  What good were all my complex theories when people were dying of starvation on the sidewalks and porches across from my lecture hall?  My lessons were like the American movies where the good guys always win.  But when I emerged from the comfort fo the classroom, I was faced with the reality of the city streets.  Here good guys were mercilessly beaten and trampled.  Daily life was getting worse, and the poor wre growing even poorer.

Nothing in the economic theories I taught reflected the life around me.  How could I go on telling my students make-believe stories in the name of economics?  I wanted to become a fugitive from academic life.  I needed to run away from these theories and from my textboods and discover the real-life economics of a poor person's existence.

I was lucky that the village of Jobra happened to be close to the campus.  In 1958, Field Marshall Ayub Khan, then president of Pakistan, had taken power in a military coup.  Because of his fear of rebellious students, he decreed that all new universities be situated away from urban centers.  his fear of political agitation meant that the new Chittagong University, where I was teaching, was built in a hilly section of the rural Chittagong District, next to Jobra village.

The proximity of Jobra made it a perfect choice for my new course of study.  I decided I would become a student all over again, and the people of Jobra would be my professors.  I vowed to learn as much as possible about the village.  Traditional universities had created an enormous distance between their students and the reality of everyday life in Bangladesh.  Instead of traditional book learning, I wanted to teach my university students how to understand the life of one single poor person.  When you hold the world in your palm and inspect it only from a bird's eye view, you tend to become arrogant--you do not realize that things get blurred when seen from an enormous distance.  I opted instead for "the worm's eye view."  I hoped that if I studied poverty at close range, I would understand it more keenly.

My repeated trips to the villages around the Chittagong University campus led me to discoveries that were essential to establishing the Grameen Bank.  The poor taught me an entirely new economics.  I learned about the problems that they face from their own perspective.  I tried a great number of things.  Some worked.  Others did not.  One that worked well was to offer people tiny loans for self-employment.  These loans provided a starting point for cottage industries and other income-generating activities that used the skills the borrowers already had.

I never imagined that my micro-lending program would be the basis for a nationwide "bank for the poor" serving 2.5 million people or that it would be adapted in more than one hundred countries spanning five continents.  I was only trying to relieve my guilt and satisfy my desire to be useful to a few starving human beings.  But it did not stop with a few people.  Those who borrowed and survived would not let it.  And after a while, neither would I.

Saturday, April 10, 2010

quote by the poet Anne Sexton

Once I was beautiful. Now I am myself.

Life is Action, Love is Action, Prayer is Action: Channeled Guidance through Eileen Caddy of Findhorn

Over and over again I ask you to live a life, to demonstrate what you are living. Life is action, love is action, prayer is action; words are empty and fruitless without action. One small action of love can do far, far more for a soul than all the most beautiful words in the world. Be still, know Me, find Me and then go forth and live and reveal to all those you come into contact with what it means to be in direct contact with Me, not by many words but by the way you live.

God is Love: a quote by Meister Eckhart

If anyone should ask me what God is, I should answer: God is love, and so altogether lovely that creatures all essay to love his loveliness, whether they do so knowingly or unbeknownst, in joy or sorrow.

Sunday, April 4, 2010

Dream Theory in Malaya, by Kilton Stewart, from the book, Altered States of Consciousness, edited by Charles Tart (1969)

The simplest anxiety or terror dream I found among the Senoi was the falling dream. When the Senoi child reports a falling dream, the adult answers with enthusiasm, "That is a wonderful dream, one of the best dreams a man can have. Where did you fall to, and what did you discover?" He makes the same comment when the child reports a climbing, traveling, flying, or soaring dream. The child at first answers as he would in our society, that it did not seem so wonderful, and that he was so frightened that he awoke before he had fallen anywhere. "That is a mistake," answers the adult-authority. "Everything you do in a dream has a purpose, beyond your understanding while you are asleep. You must relax and enjoy yourself when you fall in a dream. Falling is the quickest way to get in contact with the powers of the spirit world, the powers laid open to you through your dreams. Soon, when you have a falling dream, you will remember what I am saying and as you do, you will feel that you are traveling to the source of the power which has caused you to fall. The falling spirits love you. They are attracting you to their land and you have but to relax and remain asleep in order to come to grips with them. When you meet them, you may be frightened of their terrific power, but go on. When you think you are dying in a dream, you are only receiving the powers of the otherworld, your own spiritual power which has been turned against you, and which now wishes to become one with you if you will accept it." The astonishing thing is that over a period of time, with this type of social interaction, praise, or criticism, imperative, and advice, the dream which starts out with fear of falling changes into the joy of flying. This happens to everyone in the Senoi society. That which was an indwelling fear or anxiety, becomes an indwelling joy or act of will; that which was ill esteem toward the forces which caused the child to fall in his dream, becomes good will towards the denizens of the dream world, because he relaxes in his dream and finds pleasureable adventures, rather that waking up with a clammy skin and crawling scalp.

Saturday, April 3, 2010

Multiple Personalities Can Operate Totally Differently in the Same Body - an excerpt from the book Happiness Is A Choice by Barry Neil Kaufman

Our beliefs about the world and ourselves have profound ramifications, affecting all that we embrace around us and all that evolves within us. During the last decade, the National Institute for Neurological and Communicative Disorders and Stroke (NINCDS) conducted in-depth studies of people exhibiting multiple personalities. Some facts catalogued as part of the research leaped out at me and tickled my imagination. They demonstrated clearly the impact of our convictions and attitudes.

One woman, who had the capacity to display three distinct personalities, had three menstrual periods each month, one for each personality.

A man exhibiting multiple personas required completely different eyeglass prescriptions for each. In the morning, after assuming one personality, he was clinically nearsighted. At noon, after becoming the next person he wanted to be, he needed new glasses to compensate for farsightedness. Each subsequent persona required yet another prescription.

Another man, whose repertoire included nine distinct personalities, suffered a severe and, at times, life-threatening allergic reaction to citrus fruits. Any ingestion of citric acid would cause eight of his nine personalities to have hives, convulsions and seizures. His ninth personality, however, had a fetish for citrus fruits. While assuming this persona, he could consume enormous quantities of oranges and grapefruits without the slightest bodily disturbance.

If any one of us decided to see ourselves as many people within one bodily structure, then we could apparently create personalities so distinct that each would have its own physiology and could, perhaps, transform in seconds on a molecular as well as a cellular level. Such bits and pieces of information, as those from the NINCDS study, dance like excited children in my brain. I am awed by the wondrous possibilities they suggest!

An Unexpected Healing Story from Diet and Nutrition by Rudolf Ballentine

The story is told of an Irishman lying on his deathbed who was asked by his physician whether he had a last wish. Rallying enough to reply, the dying man responded, "Yes. I would like a cold pork pie and a bottle of stout." His wife shuddered, sure that it would kill him, but the doctor took her aside and gently reminded her that since her husband could not, in any case, recover it would be best to let him have this last wish fulfilled. So a friend was dispatched to the corner pub and soon returned with the pie and stout. The patient swallowed it down almost in one gulp whereup he stood up looking much improved. He then proceeded to make a rapid recovery.

Friday, April 2, 2010

A Paragraph of Poetic Prose from The Story of Edgar Sawtelle, by David Wroblewski

Thin remnants of moonlight permeated the woods. Sweet fern arced throat-high over the old logging path, cloaking blackberry canes hidden like saw blades in sheaths. Spray of dark sumac. Shafts of birch and aspen, faintly luminescing. Overhead, a pale and narrowing crack divided the forest canopy, marking their way more clearly than any earthly thing. For fear of jutting branches, he held his hands across his face and let the blackberry thorns rip his clothes. Now and then he stopped and clapped for the dogs. They came and snuffled nose and lip against his palm and vanished again, so sure in the dark. He paused. Peered after them. Shadow upon shadow, all of it. He swung his foot forward and began again. All around, fireflies glowed their radium bellies. The voices calling after them had long since faded into the creak of tree trunks flexing in the night breeze like the timbers of a vast ship. They hadn't circled; he couldn't have said how he knew. The direction of the wind, perhaps, or the westering cast of the moonlight. When a stand of birches glowed blue where he expected a gap he understood the path had fizzled out or they'd lost it.